I have been wanting to do value studies in a monochrome way for a while and this 30 in 30 challenge has inspired to actually do it. The top one is a bunch of Oriental Lillys that I am going to paint or sketch while they are in this state up until they bloom. The second one is a set of those 'market flowers' that have the subtle pinks and are usually part of a bouquet. The last one is looking down at a carnation. Hope you enjoy.
I love these flowers. I spent some time on the background and it adds some dimension that is difficult to see in this photo. Forgot to take a photo before putting it in its frame.
This is the first pastel I have included in the 30 in 30 challenge. I have been working in oils and have enjoyed it immensely but I felt like visiting my pastel box today. This is 100% pastel. The underpainting was done using pastel with water and a brush. After letting that dry I applied more pastels to the top.
I love this one. The contrast between the values, and that vase make me very happy. This photo for the most part is correct but there is a bit of blue outside the window pane, and on the tips of a few petals that are not showing up here for some reason.
This is a portrait from life of my friend Karen's oldest girl Lilly.
She was reading Richard Schmid's Alla Prima while I was painting her. She loves art, and painted this pear once the portrait was complete. She was a delight.
If you know me and my love of art history, you know I am fond of the impressionists. This painting had an impressionistic feel from the beginning and I love how it turned out. It seems as though the colors are pure and the most important and the objects are in a somewhat dreamy state. I hope you like it.
Notes: Things I'm learning in the 30 in 30 challenge.
1 To make checklists of things I repeatedly do such as posting art to my blog.
2 To finish all parts of a painting before showing it to the public.
3 Never throw away a perfectly good canvas with a perfectly bad painting on it.
Reuse it and many times the new painting benefits from the old color below.
4 Photograph your painting in good light and save to a card. Then go to the computer
and look at it. There is something about looking at the painting on the computer that
will alert you to things you may not have seen otherwise. Hipefully, it is an easy fix.
Also bring your actual painting in to compare with the image on your computer and adjust
it to look as much like the painting as possible. Sometimes the coloring on the camera
photo is too cool and it does not look like the actual painting, for example.
Never enhance the picture of your painting to look different from the painting, we all
know this can be done with all the picture apps out there today. If you are putting
your painting out there on the web to sell it, it needs to look like what the purchaser
will be getting, get it? Haha... happy painting.
Elegant white flowers to brighten your day. I loved painting these flowers. The light, subtle tones, the magical shapes. They reminded me of a wedding.
I did this self portrait while looking in a table mirror
with my favorite red hat, natural light.
This was inspired by a trip to the palette and chisel and
all of their amazing portraits they
had hanging up.I
loved doing it and it will become my fb profile for the 30 in 30 challenge this
month.I am super pumped about painting
more.Good luck to me and fellow artists
participating.